It's Good To Be A New Writer: Breaking The Myth That Experience
Is Everything
There's a rumor out there in the publishing world that an editor
won't even look at the work of a new writer. It might be true
for certain types of writing, but after interviewing hundreds of
editors, I've found that most are more open to new writers than
you might think.
And there are a few major benefits to being a new writer too. So
before you spend too much time trying to work out how you can
appear to be a published professional writer when you're not,
consider taking advantage of your current position as a
newcomer.
What are the advantages? Here are four positive points of being
a new writer that will help you get work - and they all come
direct from editors.
1. It's Easier to Impress
Editor says...
"I really don't mind new writers at all. If you're new and act
professionally, I'm usually willing to give you a go. I'd
suggest that new writers just be honest about who they are.
If I get a fairly good article by a new writer, I'll be
impressed. To me, that's my chance to discover new talent.
That's when I'll contact the writer and try to help them. If I
get a fairly good article by a new writer pretending to be an
experienced writer, I will probably just issue a standard
rejection." -Evelyn, Magazine Editor
If you claim to be a professional and experienced writer, an
editor is likely to expect a lot. That means it will take a lot
to really impress them. Even a good article might not be enough
to get their attention. But if you tell the truth and admit that
you're a new writer, it takes a lot less to impress. A new
writer with a professional approach is something special - just
sending a professional quality submission might even be enough
to impress.
2. There's Room to Grow
Editor says...
"When I get a good article from a new writer, I'm always very
happy. Why? Because new writers with the right skills and
attitude are wonderful for our magazine. They can be shaped to
suit our style, they listen to instructions, they usually have a
positive attitude. That's the kind of writer I like to take on
and mentor." -Stephanie, Magazine Editor
If an editor knows that you're a new writer, you're giving them
the chance to spot new talent. If you're new and right for their
publication, you might be taken in and mentored until you suit
their style.
The same isn't likely to happen if the editor thinks that you're
experienced. Instead of looking at your work and thinking that
it shows potential, they'll be assuming it's the best that you
can do.
3. Anything Else, And You Risk Losing Their Interest
Editor says...
"I would tell writers to be careful if they're going to
exaggerate. I know everyone does it on resumes. But if someone
claims to have been a writer for twenty years and is pitching my
low-paying mag, I'm going to wonder two things. First, I'm going
to wonder if they're lying. Second, I'm going to wonder why
they're not working for a higher paying magazine if they really
have that much experience. If they're not lying, then I have to
assume that they're just a bad writer. Either way, it doesn't
look good for them." - Danielle, Magazine Editor
If you're a new writer, you need to be targeting the right kinds
of markets. And if you are targeting small markets, claiming
years of experience is only going to make editors suspicious.
4. Attitude Matters
Editor says...
"It's simple. Many seasoned writers pitching me have a bit of an
attitude, a hint of suspicion, and often a streak of boredom.
Fresh writers pitching me tend to have nothing but positive
energy and enthusiasm. I'll take the enthusiastic writer,
please." -Sam, Editor
If you can't go in with experience, go in with enthusiasm. That
might be the big advantage that gets you the job.