The Difference Between a Copy Editor and a Story Editor
Copyright 2006 Black Butterfly Press
It is often said that if they had to choose, many novelists
would prefer to have the developmental (or content) editing
completed on their manuscripts versus the copy editing. Why?
Because if the story is good, people will overlook a missing
comma. But conversely, all the grammatical edits in the world
will not bring a fictional story alive, without using various
developmental techniques.
>From experience as a story editor of over 170 books, I've
learned that a good story editor can make a novel work, however,
a copy editor can not accomplish this alone. For example, I've
worked with a copy editor who can go behind my work and improve
any fictional manuscript I've completed.
In fact, with her line edit, this editor might even discover
holes in the story, which further tightens up the plot.
Nonetheless, for all her skills as a copy editor, she cannot
make the characters leap off the page in fiction. Her copy edit
works fine in nonfiction, but even in memoirs, there are
fictional elements, which will make the book more believable.
Without it, a memoir will be one long narrative, without any
dialogue, or without any recreating of scenes.
As a last step, there is a book doctor who can read the final
product as a whole and determine if the story, including the
ending, works for the novel. They will also tell you if you have
an interesting protagonist who can sustain a reader's attention
for 300 pages plus.
Bottom line is this. A copy edit is very necessary to a
manuscript, but it cannot save a hackneyed plot that only
flaunts flat narrative. However, a good content edit can
resuscitate a story by rerouting the tracks of the tale. A
novelist would do well to go through both levels of editing as
they complement one another.
In that first level of editing, these are just some of the
things a good story edit can bring to the table for your book.
1. A good story edit will develop the different nuances,
contradictions, and core values of your characters. By the same
token, it will also show the other characters' opposing values,
which will deepen the conflict among the characters. 2. A good
story edit will help develop the back-story of your protagonist.
3. A good story edit will help you develop your antagonists, so
that they are not all bad or your stereotypical villains. 4. A
good story edit will help you tie up all the subplots and story
questions. 5. A good story edit will clean up your prose when it
comes to clich