The Power of Storytelling
Even before primitive societies put chisel to stone and began
writing, one group held a special place in these communities
because of their communication skills: storytellers.
By weaving compelling narratives, storytellers preserved
communal history, entertained their fellows, and delivered
motivation when it was needed. Over time, their words moved
armies and inspired achievement.
Today, storytelling may seem quaint. It's not. Thanks to
technology, some of the largest and savviest organizations in
the world are discovering that storytelling is even more
important today -- and more powerful.
Storytelling is so powerful that it should be the primary goal
of all your public relations. In fact, banish the words
publicity and public relations from your vocabulary. Focus on
storytelling, and tap into an essential human motivator that has
propelled humankind for thousands of years.
When I say "storytelling," I mean with a capital "S." Small "s"
storytelling is well understood by journalists and the
professionals who work with them. I am talking about a bigger
view of your story than what a journalist crams into a 500-word
story.
Think instead of great films, plays or books. In these larger
works, a "story" unfolds. Key components are essential to a
successful story: characters, including a hero (and maybe a
villain), a plot, at least one climax, and yes, a happy ending.
Successful PR storytelling relies upon similar key elements.
When working with my clients, we develop a "script" or plan that
answers these vital questions:
* Who is the audience? * What do we want the audience to do or
feel? * Who are the key characters in the story? * What is the
plot or plot lines for the story? * What is the story's climax
or key success point? * What is our happy ending?
Only when we have mapped out the story are we ready to begin the
storytelling. As one of my editors used to tell me when I was in
journalism, "good thinking makes good writing." You can't just
begin spinning tales if you don't know where the story will go.
For example, a new product that creates a new product category
may need a first chapter that focuses on the issue or problem
that the product solves. Only after key audiences understand the
issue can the storyteller introduce the new, revolutionary
solution. And only after the solution is properly introduced can
its story be told in detail.
In public relations, storytelling is not only about a good
script, but also, good execution.
Like performers on a stage, interacting with the audience, PR
storytelling is dynamic, involving two-way communication. Good
PR storytellers adapt the story for each audience. They tailor
staging, scenery, even the actors, to deliver success.
Like a good book, successful PR storytelling may have many
chapters. And while it may incorporate unforeseen drama or plot
twists, as with crisis communications, that doesn't mean there
isn't a happy ending.
This is the most important measure of PR storytelling: You and
your organization have a goal -- a happy ending. Your happy
ending is not the same as that of a competitor. So how will you
make sure your happy ending is the one that defines your story?
By thinking like a storyteller rather than someone who is simply
chasing the next newspaper clip or broadcast interview. Remember
your capital "S" story, and your small "s" stories will come by
the bucket load, with more and more of them bearing your happy
ending.