I have illustrated on how music editors are related to steam engines in Part 1. Why so loose a connection? Because I want to stress the universal timeline from the early days of steam engines to the modernity of music editors, during which technology has evolved in waves of disruption.

Now somebody might break that already loose relationship.

John C. Dvorak, a very reputed columnist, fervently argues that there is no Clay Christensen disruptive technology in its very own coined definition: disruptive technologies are low performers,